This was another fun project to work on- a guide for staff on how to handle the lockout procedure at Mountainview College.

This was tasked to me by my supervisor as part of a revitalization project for the community. With the new facilities being installed at the central office, the previous year’s video would no longer be a relevant resource- thus, I was asked to create this new and improved tutorial.

In my experience, working collaboratively with my staff has led to some of the most enjoyable work, and this was no exception.

As part of my position of Resident Director of Marketing at Binghamton University, I was tasked with creating an informational video to help guide students through the housing process 2025-2026 academic year.

To accomplish this, I worked with my team of Marketing Assistants to script, record, and edit this video, which was uploaded to the university’s social media accounts.

This was a particularly challenging venture, as we had a very short deadline, as well as no budget to work with. Overall, I’m quite pleased with how the video turned out, and I’ve gotten highly positive feedback from students and staff alike on how helpful of a resource it was for them.

This is a project I had worked on for several weeks, which holds a great deal of significance for me.

I wanted to prove to both to myself and the world that if I care about something and put all of myself into it, that I could create something truly special. If not, why even be a content creator.

Secondly, that even with a quiet voice- bordering on imperceptible, I would not allow myself to contribute to the silence of injustice towards my fellow brothers and sisters of humanity.

Pineapple (2023) is an experimental short film created in conjunction with fellow Binghamton University film students Simon Svec, Sam Nesser, and Zagham A. Shah.

Shot on 16 mm film with a Bolex H16 REX-5 and digitalized thereafter, Pineapple was inspired by the poem of the same name written by Ishwar Gupta. It would go on to be officially selected for the 2023 Lift-Off Filmmaker Sessions and 2023 Festival del Cinema di Cefalù, as well as an honorable mention at the Student World Impact Film Festival.

This project details a unique theory I developed after rewatching the film Koe No Katachi/A Silent Voice.

Because the core concept of the video is rather straightforward, I put focus on providing engaging visuals to help audience retention and contextualize the claims being made.

The development of the video also helped me to discover my own "voice"- that is to say, how I present myself to the viewers. Throughout my time as a content creator, I've made constant changes to my intonation and pitch in order to capture the "ideal YouTuber voice". Between the experimentation and resonating with the messages of the film itself, I came to realize that ultimately your voice can only be a true reflection of the self.

This is perhaps the project that I am most proud of in my 7 years of content creation. I hope that you enjoy it as much as I do.

This project was something that I was abundantly excited about. As a longtime esports viewer and fan of SMITE esports, being able to work in an official capacity on an esports team's video was such a privilege!

I was reached out to about this project by legendary YouTuber/Twitch streamer Fineokay thanks to a referral from his teammate Pandacat, another one of my clients and general longtime friend. This was another project where sourcing footage was an extraordinarily time-consuming task, without much of a framework to base my editing around.

Some of the other larger esports teams make spectacular content, so I made sure to watch of ton of videos from teams like Team Liquid, Cloud 9, T1, and others to get inspiration- though I honestly wasn't nearly at that level and still some ways away currently. But working on this project certainly got me considerably closer, so I'm grateful beyond words to Fineokay and the Jade Dragons team members for giving me this opportunity!

Strengths:

• Overall humor

• Clip selection

• Intro/outro segments

• Originality

Areas of Improvement:

• Transitions

• Onscreen graphics